Tag Archives: crafts

Countdown to Halloween: Halloween on Etsy

5 Oct

My roommate likes to say that Target is the place that paychecks go to die.  Mine have definitely suffered some life-threatening injuries there, but if I had to choose one battle royale arena for my hard earned cash it would be Etsy.  Combine unique handmade creations with Halloween and you have a failproof income drain.

Here are some of my favorite Halloween finds on Etsy this year.

Day of the Dead shoes from Em & Sprout

Zombie Horde Table Luminary by Mink’s Paperie


Halloween Bat Mug by Mr. Teacup

Spooky Houses Halloween Necklace by SMAfactory

Under a Halloween Moon Tree of Life Pendant by Phoenix Fire Designs

Scary Skull Air Plant Garden by EarthSeaWarrior

Werewolf Halloween Soap by Lippincott Soap Co

You Staked My Heart Lovers 2-piece Necklace Set by Corso Studio

~April

Countdown to Halloween: Calaveras

3 Oct

Last year, one of my coworkers brought in a really cool decorated skull for Dia de los Muertos.  I took a picture of it so I could promptly go out and make one for myself.

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Unfortunately, she shared it so late in the season, I couldn’t find a single skull.  Yeah, I have gothy first world problems.

This year, I decided to start early and sure enough, Michaels carries the exact skull she used.  They don’t seem to sell them online, but check your local store or search “Styrofoam skulls” on Google Shopping for a decent collection.  They run about $6.

I searched online for sugar skull and calavera patterns for inspiration, then sketched the design in pencil.

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I used regular acrylic paints, along with some novelty paints.  I bought clear glitter and glow-in-the-dark because they can layer over any color.  It’s a better deal than buying a pre-colored glitter paint.

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I think outlining elements of the design in black helps a lot in making her fit the Dia de los Muertos style.  You could probably use a Sharpie, but the black paint worked fine for me.  Her teeth are glow-in-the-dark and the design on her forehead has a glow in the dark cross painted over it.  I’m going to run over those areas with another coat, since they’re pretty faint now.

For her head piece, I used E600 craft glue to attach the pieces to each other, but just used a part of the stem on the orange flower and stuck it directly into her head.  I glued the feather piece down so it didn’t stick up weird.  We’re going to put a few of these skulls on our altar for the Dia de los Muertos celebration at work.

You could try this in other styles.  A tattoo-inspired, Native American or Halstatt skull would be interesting.  I’m planning to make her a novio before the season’s out.

I’d love to see your creations!  Any other ideas for painted Halloween decor?

~ April

Greek Revival Shirt

4 Aug

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I designed this shirt a few years ago while trying to make a costume with some extra fabric I had laying around, but I really liked it and started wearing it everywhere. Personally, I think there is a Greek goddess-like flair to this shirt; the flash of skin between the sleeve slits looks sexy in an “Aphrodite couldn’t pull off this look” kind of way. It is loose fitting and the slits make it cool and breezy while still keeping your arms partially protected from the Mediterranean sun. The front and back of the shirt are identical, which means if you ever accidentally spill olive oil down the front of it at a party you can turn it around and no one will be the wiser. (Not that I’ve ever done that.)

Materials:
Tape measure
Masking tape or marking pen
Scissors
Pins
Thread
Sewing machine or some other means of stitching
Two yards of fabric (approximately, more on that in a moment)
Iron (optional)

This shirt has the easiest construction you can imagine. It’s just a big T shape and the top sleeve seam isn’t sewn completely to create the slit. I made this shirt using the width of my fabric to make both the sleeves and the body, which means the sleeves only come to three quarter length on me. With a little extra math and a few extra seams you could easily make it with full length sleeves.

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There are only three measurements in this shirt that matter, the length of the shirt from shoulder to hem (A), the distance around the chest, (B) and the length from the bottom of the armhole to the hem (C) To figure out these measurements you could use your measuring tape to measure your body, or you could find a shirt in your closet that has a good fit and get your measurements from there.

Before buying your fabric you need to know the length of your shirt from shoulder to hem. (A) To figure out exactly how much fabric you need, take this number and add an inch and a half for seam allowance, and then double that number. (I give myself fairly generous seam allowances.) You may want to purchase an extra eighth or even quarter of a yard of your fabric, this is a sewer’s version of an insurance policy. The fabric I used here was 54 inches wide, keep in mind that if you buy a fabric that is only 40 inches wide the sleeves are not going to be as long.

Wash and dry your fabric the same way you will wash the finished shirt. Most of the fabric we bring home from the craft store has never seen a washing machine. Pre-washing makes sure that any excess dye and starch is removed, and that any major shrinking the fabric may do is out of the way before we’ve put all this work into making a garment. Of course, if you aren’t planning to wash your shirt, ever, feel free to skip this step.

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Cut your fabric into two square pieces that are the length of your shirt from shoulder to hem, plus an inch and a half (for seam allowance.) An easy way to do this is to fold your fabric in half with the selvage edges together on both sides and the raw edges together at the bottom. You may need to trim these raw edges to get them straight but don’t fret about it too much, it doesn’t have to be perfect. Cut along the fold to create two pieces. Lay your two pieces out on top of each other neatly. If you are using a fabric with a pattern that runs in one direction you will want to flip one piece of fabric so that the pattern will run in the same direction on the back and the front.

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Mark out the shape. Take the measurement around the chest (B) divide it in half and add three inches for seam allowance and extra ease. This will be the measurement across the chest. Take measurement C and add an extra inch and a half for seam allowance. Use your marking pen to mark out your T shape using these dimensions. I used masking tape for this because the sound of a pen scratching across fabric makes me shudder like nails on a chalkboard.

Cut both layers of fabric out along these lines and you are ready to start sewing!

The fabric that I used for this shirt is mostly linen, which means the raw edges unravel faster than a Hollywood marriage. One way I prevented this was by using pinking shears instead of regular scissors to cut out my fabric. Another way to combat unraveling is to sew a zigzag stitch along the raw edges. If you are lucky enough to have a serger or a machine with an overlock stitch those are also good options.

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This shirt is kind of odd in that the first seam you sew is a finishing seam. I’ve been using this type of seam for years and I don’t know what it’s proper name is. A google search told me it might be called a rolled hem or a double turnback seam. Either way it’s easy and makes a neat finish on raw edges.

This is where your iron comes into the picture. I was taught that you should always iron and pin folds flat before seaming if you want a nice neat hem. In reality, I seldom do this. (That shuffling sound you just heard was my grandmother rolling over in her grave.) I’ve included directions as if you are going to press your seams but you can take the liberty of skipping this step.

To finish the top of the sleeves fold over the top edge towards the wrong side (inside) of the fabric. You should only have to fold it over a tiny bit. (Less than 1/4 of an inch.) Iron and pin that fold flat all along the top. Then fold over that edge again by about a quarter of an inch to hide the raw edge inside the folds. Topstitch along the fold to create a hem. Do this all across the top of both the front and back pieces.

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Fold over once………………………………………………………..Fold over twice


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….And Topstitch.

Slap the right sides together and seam the sides and bottom part of the sleeves together on both the left and right side. You can use a regular topstitch here, but I was still worried about the edges fraying so I cheated and used a French seam. Just remember if you are going to use a French seam that you will start with the wrong sides of the fabric together.

Now you are going to seam the top of the sleeves first at the “cuff” end of each sleeves and then at the shoulder. Lay the right sides together and put a seam about two inches long at the top corner of each sleeve right below the finished edge.

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It’s almost starting to look like a real shirt but first you need to place the seams for the shoulders. The best way I could figure out to do this was to fold the shirt in half hold, it up to my body and place a pin on each shoulder. The shoulder seam should fall right over your bra strap area. Before you sew your seams, pin it securely and try it on to make any adjustments. (Being careful not to accidentally stab yourself, of course.) It may take a few tries to get it placed right and symmetrical.


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(It’s really hard to take a picture of this step.)

Keep your wrong sides together and sew a two inch seam at the shoulders. I recommend back stitching here a few times to make a good strong shoulder seam. If your sleeve gets caught in something this is the seam that is the most likely to rip. (Not that I’ve ever done that either.)

Finally you’re going to finish the raw edges at the “cuff” of the sleeves and the hem of the shirt using the same fold-over-twice-and-topstitch method. The only difference is that there will be a few seams incorporated into these finished edges. Simply press the seams open and fold over as before.

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Yay! You’re done! Put your completed shirt on and parade around like Athena springing from the head of Zeus!

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~Robin

How to: Yo-Yo Headband

10 Jun

Remember that headband I gave away for the Sew Mama Sew Giveaway?  Well, here’s a story.  I was a little sad that I didn’t take process photos to share a how-to with you, but I rarely get motivated enough for a second version of the same project to write a real tutorial.  Someone must have been smiling on tutorial hounds though, because I packed up headband #1, got it ready to send and promptly misplaced it.  Knowing I needed to send ASAP to the winner, I quickly whipped up a duplicate and this time was able to take pictures to share the process with y’all.

You Will Need:
Scrap fabric in different patterns.
Needle and thread
1 piece of felt
1 plastic headband (you can get these at Target)
Hot glue gun and glue

Start by cutting out some circles from fabric.  A bunch of circles in all different sizes.  Use water bottles, candles, pots, yogurt cups, anything circular for your templates.  The yo-yos shrink down about 50% once you sew them so don’t be afraid to go bigger than you think.  For a headband you’ll need 7-12, but the more you make, the more choices you have with the design.

Make some yo-yos.  I was going to show you how to do that, too, but this tutorial is great and has much more awesome pictures than I could take. The yo-yo making is by far the most time-consuming step of the process and it doesn’t take very long, especially if you’re an experienced hand sewer.

I iron my yo-yos down before I start working with them.
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Arrange the yo-yos. This is the fun part. Just start placing them until they look pretty.  Generally they should be in a semi-oval cluster.  Glue them together with hot glue. Just a dab in the corner that will be attached is perfect. Any more and you’ll end up with a gooey mess.

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Place your glued-together cluster of yo-yos on a piece of felt. Outline the yo-yo cluster onto the felt and cut out the resulting shape. Cut a bit inside the outline so the felt doesn’t hang over the edge. Hot glue the bottom of the cluster of yo-yos to the felt.

Position the cluster onto your headband. I use a permanent marker to roughly mark the bottom and top of where the cluster will sit near the side of my head. Then, super glue between those two marks and carefully place your cluster onto the glue line.

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Finished headband.

You can add buttons, ribbons, or pins to the centers of the yo-yos for additional flair, but I like it just as it is.

If you decide to make any yo-yo headbands, send me a link!

~april

Modifying Journals

1 Jun

My latestest craft obsession seems to be modifying journals.  I originally bought two small black journals on clearance with the intent of making hollow books.  That didn’t happen, I do still have one left.  Instead…

To the left, a gift to a co-worker.  It has a lotus blossom with a dream charm.  The wheel of dharma and an endless knot, as well as two ravens in white.

To the right, for the Dia de los Muertos swap on Craftster.  My partner has received now, so it’s safe to post.  The journal is covered with a colorful bandana, then affixed with various day of the dead themed items.  A fuzzy cross, a hand pieced sugar skull, cross charms, flowers and butterflies.

Some detail shots below.

Thanks for looking :)

~Manda

Slightly Biased

4 Mar

This post was originally featured on Simply Sunshine in July of 2010, but is no longer available online.  It has been modified for its new home.

Once upon a time, I came across Prudent Baby’s bias tape tutorial.  At the time I thought, maybe I’d get around to it in the distant future and relegated it to my delicious account.  I’ve been pretty happy with just buying the premade stuff and not having to fuss with it.  So what changed my mind?

Noodlehead (again) has this tutorial for turning cargo pants into a messenger bag.  I just so happen to have a pair of cargo pants with an inconvenient rip that would look odd even if I mended them.  I absolutely love the look of the patterned bias tape she uses on the front flap.  The pattern adds a pop that the solid stuff just can’t do.  So last night I pulled out some fabric I’d bought in the remnant section of Jo-Ann’s and tried out the bias tape tutorial.

Now, this isn’t just a review of the tutorial, because that worked just wonderful.  I want to share a tip I discovered on my first try making bias tape ever.  It started with a little gadget envy.  In the tutorial Jaime, zips through drawing perfectly spaced 1 7/8 in. lines on her parallelogram with a bias tape rule.  I started spacing dots on my fabric with a regular old ruler and after the first few dots I realized:

a) This was really tedious.

and

b) I cannot consistently find 7/8 of an inch on a ruler.

The combination of these two dilemmas almost convinced me that I needed to wait until morning and buy a spiffy bias tape ruler.  Luckily, inspiration struck.  I’ve made a habit of keeping cardboard shapes in different sizes around so I don’t have to measure again if I make a project several times (because of problem b).   I figured I could just use this same technique to make my own bias tape ruler.  I measured a strip of cardboard 1 7/8 in wide and then cut on a diagonal 1 7/8 in from each end.

I even diagrammed it for you.

You can make different rulers for different bias tape widths.  That wonderful bias tape tutorial tells us the formula, so for single fold 1/2″  or double fold 1/4″ bias tape, you’d want your ruler to be 7/8″.  See…

Single fold bias tape (1/2″): 1/2″ x 2 – 1/8″ = 7/8″

Double fold bias tape (1/4″): 1/4″ x 4 – 1/8″ = 7/8″

I still haven’t ironed mine closed (cue longing for that beautiful bias tape folder), but if you’d like to keep that on the cheap as well, check out this tutorial.

~april

February Show and Tell

2 Mar

I got a lot more crafting done this month than I normally do, probably thanks to getting back into swapping.  So here’s the part of the month where I show you all the projects that I made (that I didn’t tear out or break in frustration of their being awful) and share the links for you to make your own.

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Kitchen towels

These are just embellished Target towels made for a swap… nothing fancy. Just ribbon and bias tape. I might put up a tutorial later, but only if people are interested.

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Leaf Cup Cuddler

Mine didn’t come out as even as it could have, but I always knit in a wonky gauge. This was also for a swap. I knit the whole thing during the Superbowl.

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Dr. Seuss Pouch

Of course this is from Noodlehead… I love how her patterns turn out. For this one, I added a few bells to the keyring. I think it helps keep up the Dr. Seuss style.

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Car Organizer

I made some adjustments from the original pattern. For one, I used webbing and a buckle for the attachment at the top. On the bottom, I sewed two loops and tied nylon cording to it. Since I couldn’t try the pattern out on my swap partner’s car before sending, I wanted it to be as adjustable as possible. I also sewed a backing onto the whole thing to make it a bit more sturdy.

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Flannel Slippers

This pattern wins my personal gold star for the month. I’d tried making slippers before and let’s just say that it wasn’t a pretty picture. These were simple, fast, and turned out really nice. I was sad to send these out, but it helped that they were too small for my feet. I’ll definitely be using the pattern many more times.

Thanks to all those who put their patterns out there for us to use!

~april

Round Bottom Bag Tutorial

16 Feb

We can’t all be winners.  But I love y’all, I really do, so I don’t want to send anyone home disappointed.  If you want a little love in your life and you don’t win our Valentine’s Day giveaway, you can still have a bag of your very own.  You just need to pony up for the supplies and get crafty.  To help you out, I’m posting the tutorial for the bag.

Supplies:
2 contrasting fabrics.  A fat quarter of each works great.
About 16″ of 1″ – 2″ ribbon
Matching thread
Yarn, cording or thinner ribbon (about 36″)
Some math skillz (these can be acquired later, trust me)

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Start by cutting a circle from the fabric you’ll use for your exterior and one from the lining fabric. I used a blank CD case. If you use the same thing, you can use my measurements and skip all the math bits.

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Now for math!
Draw two chords (as marked in the picture above).
Make sure they’re an even number length (such as 4″) so it’s easy to find the center.
Mark the center and draw lines at a right angle from the chords through the circle. It’s most accurate to do this with a protractor, but you can eyeball it.
Where the lines intersect is the center of the circle. Draw a line through that and measure it. That’s your diameter.
Now multiply the diameter by pi (3.14). You have your circumference!

Why do you want all this? It’s so you know how much wide you’ll want the sides of the bag to be. I rounded the circumference up. Meaning, if you’re using the CD case, your circumference is about 17.25″.

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Cut a trapezoid out of each of your fabrics. The bottom should be your circumference plus around an inch. I made my top about 2 inches thinner (one inch off each side) than the base.

I made my sides 10″ tall.

Cut two pieces of your wide ribbon so it’s about an inch shorter than 1/2 of the top of the trapezoid. Sound confusing? If you’re using about the same measurements as me, the two pieces will be about 7″ each.

Now start sewing!

Sew your exterior into a loop by sewing the slanted 10″ sides together. Do the same for the lining, but leave a space in the middle so you can turn in out when you’re done. I forgot the first time and just took a seam ripper to it. No biggie.

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Pin your ribbon about 2″ down on each side. If necessary, fold over the ends so they don’t fray and sew in place before attaching to the bag. Sew the edges in place, leaving an opening on each short end.

With a long stitch, sew a gathering stitch around the bottom (wider end) of the exterior fabric loop. Gathering up the threads, pin it right sides together to the exterior fabric circle until it lines up.

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(this is the lining… I didn’t take a picture of the exterior)

Sew the loop and the circle together. Repeat this process for the lining loop and circle.

Now you have two bags… mostly. Put the exterior bag, turned right side out into the inside out lining bag, matching seams. Right sides will be together.

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(sorry for the blur)

Sew around the top of the bag. Flip through the hole in the lining (if you didn’t make it, now’s the time for your seam ripper). Edge stitch around the top of the bag to make it lay nice.

Starting on the left side, pull half of the length of your thin ribbon, yarn or cording through the casing to the right, then back to the left and tie. With the other half, start on the right side, pull the ribbon through the casing to the left, then back to the right and tie. This is my absolute favorite drawstring technique.

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Enjoy your bag!

If you end up making this, please send pictures.  And let me know if anything is confusing.  I’ll try to clear it up.

~april

Clay Impression Pendants

4 Feb

Not so long, Robin posted about her enabling roommate, Sara.  I would like to say, for the record, that she was totally the pot that called the kettle black.  Thanks to her experimentation, I too have fallen prey to that hard street drug they call “polymer clay.”

It started with a simple idea, which I think has been done somewhere and probably successfully, but my grand plan was not so successful.  I wanted to make up some goodies for my swap partner and Robin seemed to be having so much fun with Sculpey that I thought I’d give it a try, too.  I was going to make a leaf pendant with one color clay on the inside.  Then, I would wrap that clay in a thin layer of a second color and scratch off the outer layer in an outline of a leaf.  It did kind of work, but the end result couldn’t even be passed off as kitschy or rustic.  I’ve seen more interesting jewelry from five-year-olds.

Instead of giving up and tossing out all my newly bought clay, I started rolling out thin pendants of clay and making impressions in them.   Look, I know this isn’t anything revolutionary, but I was impressed with myself for thinking it up without obsessively checking out all the polyclay tutorials I could possibly find on the net.

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I made the first batch by making impressions from a bracelet I bought at a winery.  I loved all the designs on it, but the bracelet broke and I never remember to buy a new clasp for it.

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After that batch, I used a necklace to make a lacy impression in the clay. In this one, I pushed in an eye pin so I didn’t have to make a hole, then cut trimmed the ends up a bit to center the design and square it up a bit.

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Of these, I particularly like the one with the silver beads. The background was made by rolling a screw over the clay. Then, I placed the beads in to look like gears. The other pendants were all made using a clear stamp set I rushed off to purchase while I was still heavily under the influence of clay fumes.

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The pendant on the left was made by rolling that little  pine cone (it’s from a Giant Sequoia) over the surface for texture and then adding my little leaf.  I made the colorful pendant on the right by first stamping the impression, and then adding little bits of clay to fill it in.  The result isn’t perfect, but I think It’s more interesting than the plain version.  The little flower on the bottom right is destined to be an earring.

To finish them off, I baked them as per instructions and applied glaze.  After that, I just attached a jump ring and a clasp.  Since I have so many (and I sent a few to my swap partner) I chose an easy way to switch out pendants.  With the clasp I can just attach them to whatever chain I’m wearing, or even add a couple to the same chain.

So, yes.  I’m a little addicted to playing with clay right now.  Thanks for not judging me.

~april

Night Sky For Your Neck

15 Jan

Let me tell you about my roommate Sara.  Sara is the worst enabler ever.  When I moved in and cautiously started to reveal my obsession with crafting Sara responded cooly “Oh, yeah.  I like to make things out of clay.”

At this point you are probably scratching your head and wondering what part of this qualifies as “enabling.”  Read on, she gets more vicious.  One day Sara showed me a turtle she was making.  It was cute.  He was wearing a life-vest.

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See what I mean?  Vicious.

Then Sara started going to the craft store with me.  While I perused the yarn Sara would lurk in another aisle picking out bright colored chunks of polymer clay and purchasing them.  (Sara knows my weakness for pretty colors.)  Still, I resisted.  “I already have enough craft stuff,” I told her as I showed her my yarn.  Then Sara launched her ultimate attack.

She left her clay on the coffee table.

So there I was, sitting on my couch minding my own business and what did I find in front of me?  Cute little clumps of clay in a rainbow of colors and all these nifty tools you can shape them with.  And oh look!  It’s a whole book of things you can make out of clay.

It just so happens that I became hopelessly addicted to smooshing clay shortly after I found a renewed interest in stargazing and astronomy.  I started scheming up ways to capture the constellations in a piece of jewelry and clay seemed like the perfect medium.

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How to make a Night Sky Pendant

1.  Pick out your favorite constellation.  If you don’t have a favorite constellation, find a dark place on a clear night, and look up at the stars until you’ve found one.  If you want to pick a constellation that others will recognize I suggest finding a star wheel or a stargazing book.  My personal favorite is “The Stars” by H.A Rey, who is more famously recognized for being the author of Curios George, but his creative look at the constellations is a fantastic beginners guide to the sky.  If you’re trying to get a kid hooked on stargazing, “Glow-in-the-Dark Constellations” by C.E. Thompson worked it’s magic on me in the fifth grade.

2.  Gather your materials.  I used polymer clay, such as Sculpey or Fimo, which you can find at most major craft stores.  I usually mix different clays together to get the exact color and effect that I want.  Be aware that different types of polymer clay may have slightly different baking instructions.  I have mixed clays that had baking temperatures vary by 75 degrees, and so far I haven’t had any problems, but I would be cautious about mixing something that varied too much.  For the stars you will need glass seed beads, the smaller the better.  I used size 10/1 for these, but having a variety helps.

The only tools you will need are a toothpick to make the hole and a sewing needle or pin to help you place the beads.  I’ve read that polymer clay can degrade the finish on tables so I would also suggest something to protect your work surface if you like your table the way it is.  (Ok, I could not find a single toothpick when I made this tutorial so I broke two tines off a plastic fork.  Just make sure it’s big enough!)

3.  Make the pendant.  You have to work polymer clay a little bit to make it soft enough to sculpt.  When I mix colors I just break off little chunks of the colors I want to mix and squish, knead, and roll them until they are blended.  You could also leave them only partially mixed for a cool marbled effect.  Play with it and see what you like best.

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Once you’ve got the clay soft and mixed right, roll it into a ball.  You are going to slowly squish this ball into the pendant shape you want.  This will take a little finagling to accomplish.  I usually alternate between pressing it down with my fingers and rolling the edges along the table I’m working on.  You could probably also roll it out like cookie dough and cut out the shape you wanted with an exacto knife, but that feels too much like mass production to me.  You want your finished pendant to be about 5mm, (or a little under a quarter inch) thick.

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Use the toothpick to puncture a hole for your string or chain to go through.  This is the most difficult step for me.  It will probably form a small bulge at the top of your pendant.  To make this look even on both sides I usually work the toothpick in a little on one side and then switch to the opposite side and push it in the same amount, slowly tunneling in from both sides to make the hole.  You can also leave the toothpick in the hole and reshape the clay around it to fix mistakes.  If it turns out all wonky, just roll it up into a ball and try again.  Take some advice from someone who learned the hard way, and make sure the hole is going to be big enough for whatever you are going to hang it on, it will make your life a lot easier.

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4.  Add your stars.  I’ve decided to make the constellation Ophiuchus since he is the talk of the town, and I feel like he was unfairly cheated by the Babylonians who gave him the shaft when they excluded him from the Zodiac just because they had a thing for the number twelve.

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Use the pin and very, very, very lightly mark out the position of the stars in your constellation onto the surface of the pendant.  It’s important to do this as softly as you can because it’s difficult to rub out any mistakes without it showing up on the surface of the clay.  Select your beads. If you have a variety of beads to choose from you can use larger beads for stars that have greater intensity and smaller beads for the less obvious stars.  Stars also come in different colors so if you’re really into it you could reflect that in your choice of beads.  Since I only had one size of bead, my constellation only shows the brightest stars of Ophiuchus.

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I use the pin to gently push each bead into place on it’s side, then I’ll use my fingers to push the bead all the way into the clay so that only the very top is showing.  Once all the beads are in place you may want to use the tip of the pin to scratch out the lines connecting the stars of your constellation.  Be careful in doing this, you can always make a line deeper with a second pass, but you will not be happy trying to correct a deep line that turned out crooked.

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5.  Bake your pendant according to the directions on the package.  I would suggest covering your pan with foil unless you aren’t planning to use it for food again.  If you mixed clays with different baking instructions I would suggest baking it at the lower of the two temperatures and add a little bit more to the baking time.  Watch it carefully while it’s in the oven so that it doesn’t scorch.  It will still be soft (not to mention–uh, hot) when you first pull it out of the oven so let it cool completely before stringing it and showing it off.  (You can bake several pendants at once assuming they all need to be baked at the same temperature.)

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6.  String it onto a cord and tie it with an adjustable knot.  Hurray!  You’re done!

If you are looking for something inspirational to listen to while making your pendant, I highly recommend Astronomy Cast’s podcast about the constellations.  You might even learn more about Ophiuchus!

~Robin

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